Tuesday, 07 July 2009

  • on a review of wing'd!

    i normally haven't linked to reviews of my poetry, but there's a great review of the animalistic little chapbook i put out through Blood Pudding Press a couple years ago here.

    read it, and then come back.

    Wilson makes it pretty clear in the first three paragraphs that she's not really in the frame of mind to engage with or appreciate a Blood Pudding Press offering. i mean, i don't know what she thought she was getting into with Juliet Cook's outfit, but this is the kind of thing that her press does best: feral, oozing, ghastly, applique, parasitic, absurd, slime, and, most importantly, amusing. to this point, she hasn't really engaged with any of the actual writing at all; she's critiquing publishing ephemera.

    i'm not entirely sure that she understands that the table of contents is supposed to be a table of contents, and nothing more. if she does get this, then why the section on the table of contents? who reviews a table of contents?

    at this point, i gauge her reaction: "not impressed"..."ick"...searching for "artistry" and disappointed with my lack of a bio... and i have to ask myself, why exactly is she reading this book?

    i really take umbrage to the fact that i would ever make fun of Kevin Federline. i would situate his personage within a context of heightened absurdity for the sake of achieving a juxtaposition (between my poem and the original Stafford poem i am partially appropriating) and thematically comparing the tough decision Stafford's narrator makes in his poem with the sort of surreal celebrity nonsense that my generation must grapple with in the media in order to get anything of substance, but i would never make fun of him. at least, not in a poem. i think a poem is a dreadful medium for insult and mockery, since no one reads poems.

    after that, Wilson is pretty much dead on. i'm not sure what she means exactly when she says i am trying to be "poetic", with the poetic in parentheses like it is here, but whatever she is trying to say, i like it. i love how anything can be rendered into a vague sort of insult by putting it in parentheses. if i had really wanted to make fun of Kevin Federline, i would have put his name in parentheses, just like Wilson does here.

    i don't want to get caught up in trying to justify the poem, but i think my linguistic choice is self-explanatory. just listen to the line I wrote and the line she implicitly suggests i should have used instead to avoid being "poetic" (lawl. i laugh at the goal.):

    "most of what comes between me and she/is mud"

    -OR-

    "most of what comes between her and I/is mud"

    i think the superior line is obvious, especially given the diction in the rest of the poem.

    i hope all of this doesn't indicate that i dislike the review; i'm puzzled by the aim of some of it, but on the whole i enjoyed it. Wilson completely got what i think is the most integral part of the collection, which is an exploration of the self, especially as it is comprised and compromised by our own (in-)humanity. i really think the only thing we strongly disagree about is the aim of poetry in general, perhaps. she seems to be baffled by my "Poetry and play to no ends," as if poetry and play weren't of course the end in and of themselves. anyone who is trying to accomplish anything more revolutionary in the world would do well to wield a more tangible tool.

    i like reviews because they give me a chance to talk about poems and poetry outside of the classroom, which i really love. as much as i love writing and reading poetry (and fiction and nonfiction and etc. for that matter) i really love discussing "the craft" (insult intended) even more, i think.

Sunday, 14 June 2009

  • A Brief Summary of Ways in which I Suspect I Might Die

    Car Accident

    If it were legal for Vegas to set odds on my manner of death (which, hey, maybe it is legal, I don’t know, I’ve never been to Vegas (and even if it isn’t legal, they are probably doing it anyway, am I right?)) I suspect they would give the best odds to the car accident. I have been in four major collisions, two with other cars: one due to snow, one due to sun, one due to excessive intoxication, and one due to the supreme idiocy inherent in being sixteen. All of these mishaps were my fault, and yet I refuse to consider myself a ‘bad driver’. My odds of being in an accident are simply higher because I drive a lot more than most people. Except for the year and half following that excessive intoxication accident in which the state of Nebraska decided I probably shouldn’t be allowed to drive. During that time, I rode a bike all over the city. And considering my recklessness in doing so, that really only made my chances of dying in a car accident that much greater.

    I’m not really afraid of dying in this fashion. I’m always calm while the car is actually being crushed, smoothly steering through the impact as the windows shatter and the side panels collapse and the frame buckles and the tires squeal out in denial of their own ineffectiveness. I don’t know if this inner peace is due to the fact that I no longer believe I can die in a car accident, or because I know I will.


    Ebola

    Although this may not seem like a very likely way for my life to end, I have been simultaneously fascinated and terrified by Ebola ever since I read the book The Hot Zone when I was ten years old. The book details a breakout of the Ebola virus in Reston, Virginia and goes into depth detailing the symptoms of the virus and the very painful way in which it claims its victims. I’ve read a lot of supposedly ‘scary’ books over the years, but The Hot Zone is the only one that ever kept me awake at night. I’m still not sure why. Did I expect an infected monkey to leap from my closet in the middle of the night or ambush me on the way to school the next morning, quickly biting me, laughing a maniacal monkey laugh, and then running off, its diabolical mission complete?

    I rarely get sick at all, and I never go to Africa where the disease is most readily encountered, so I don’t think I have much cause to worry about Ebola. Still, this is one of the most frightening ways I can envision myself dying. I think it’s the lack of dignity in it all. It’s hard to consider that the last moments of your life, the dénouement putting everything you’ve done before into context, can consist of a sweaty, agonizing seizure during which you bleed from every orifice and vomit your melting organs out into your own lap. No thanks. Give me the car crash.


    Murder

    The odds of being murdered in any given year are 1 in 16,360. To me, this is not so large a number. I want a number in the millions, a number like being struck by lightning, a number like winning the lottery twice in the same lifetime. I sit in the stadium and feel the sun on my face and while everyone else is watching players warm up or ogling cheerleaders I am thinking to myself: six of these people will be murdered this year. I stand in the back at assemblies at the local elementary school where my wife works as a teacher and think, someone in this town will be murdered this year.

    I’ve already had opportunities to be murdered. I’ve been robbed at gunpoint during a home invasion when my roommates and I were having a party. Most people sat silently on our couches or smoked nervously in our kitchen while the three men rummaged through the house, looking for drugs and cash. Worried that they would take my laptop with all my writing on it, I got in a shoving match with one robber in my upstairs bedroom. They must have been really reluctant to actually shoot anyone.

    I’m not afraid of being the victim of a murder because it seems important, vital, compelling. It seems as though my last moments would be spent locked in a struggle to survive, and that’s pretty consistent with life as a whole and seems like a fitting way to die. For someone to want to kill you, you have to be pretty important to them. You have to matter. And even though the company might not be the best, you aren’t dying alone.

Sunday, 31 May 2009

Saturday, 23 May 2009

  • wing'd for a pittance

    Blood Pudding Press is having a massive sale right now on their poetry catalog. that means, if for some reason you don't already own a copy of my first chapbook of poetry, entitled Wing'd, now would be an excellent opportunity to acquire one.

    www.bloodpuddingpress.etsy.com

    there are some other really great works of contemporary poetry available at BPP too. i recommend Horrific Confection by Juliet Cook and the multi-author Growling Softly.

Monday, 11 May 2009

  • about this weekend

    enough sun to burn my nose during an afternoon at the park, a stiff breeze, the sand of a shuffleboard table underneath my fingernails, his collection of Sierra Nevada bottles, seven shot glasses stacked atop the bar. a water bottle waved in the mosh pit, sore calves, the hot lights of the stage, a ringing in my ears. knocking on the car windows to try to wake him up. a freshly-baked batch of cookies.

    deer steaks. ring sausage. burgers and stuffed mushrooms. third stone brown. horseshoes in the growing shade, frisbee in the cornfield, three-on-three against a rusted-out backboard. a fire that burns for twelve hours and wilts the trees. a snoring that just won't stop. sunshine wheat. a last-second three that seals the deal. a quickly-aborted search-and-rescue mission. a lost pair of sunglasses. a long, starry night full of moon and smoke and devoid of sleep.

Wednesday, 29 April 2009

  • ephemera

    yesterday's ephemera: a few patient moments of listening, a hastily-written collection of topics, a 58-point margin of victory. "some grad school is going to be lucky to snag you" written at the bottom of my analysis of In Cold Blood. homemade tacos, Shiner Bock, a speeding ticket given quickly to make a quota. lots of talk about swine flu. jokes at her expense, a lot of dry rice scattered beneath the table filling the dustbuster with an ominous rattle. five fluid pages on secondary language acquisition.

    today's ephemera: an ad-libbed presentation, masterful parallel parking, homemade french dips. a first viewing of 'Eraserhead', a discussion of Hebrew, the acquisition of a marriage license. a polite conversation with a lady trying to sell me cable, which i haven't had in years. a root beer float, a few quick games of cards producing a frustration echoed in a masturbatory boredom. Law and Order: SVU. a late blog entry. the anticipation of insomnia.

Thursday, 23 April 2009

  • on the creative nonfiction class in which i eat my lunch

    everyone giggling at a passage describing one man sucking another man's dick. this passage is not meant to be humorous, although there is something wry and dry in the tone. but these are the things that everyone always finds funny. a too-detailed description of one man sucking another man's dick. one young man and another young man. this is the thing that causes one girl to practically throw her phone, one boy to pinch his nose, raises snorts and guffaws and brows, furrows foreheads, creates looks of disgust. i'm looking around the room at all these people as they listen to the girl read from burroughs, a description of one man sucking another man's cock and this is simultaneously so funny and so upsetting to them and i think to myself these people are supposed to be my peers?

    things we have read in this class this semester according to the enlightened voices of these people: nonsense, rubbish, a bunch of mumbo jumbo, a jumbled mess, something SO confusing, something SO tedious. we've read the dumb, the didn't make sense, the too complex, the i didn't get that in what he was saying at all. the foolish, the bigmouthed, the i don't think he knows what he's talking about. and, funniest of all, one man sucking another man's dick. har har. we read that too. we read the "i mean, i'm all for coming out or whatever, but..." softened blows and deflected heterosexism. we read. at least, some of us did.

Friday, 03 April 2009

  • repetition

    1.
    so the other day i met this girl, this girl, with black black eyes, yes, eyes so black and yes, this girl turned those black eyes to me, those eyes, black eyes in a white face, to me, turned to me, the other day she turned and looked at me and spoke, mouth opening, speaking, open-mouth white face with those black, black eyes, yes, she said she shouldn't, shouldn't, but, oh, black eyes, white face, open mouth, she did. she did.

    2.
    nothing left: no bombs, no bunkers. no last bastion of civilization, no ruins, rubble, no pried-up floorboards. nothing left. no skyscrapers scrubbed down to infrastructure, no sun, no stars, no sky. no dust, no detritus, no wind to blow the dust that isn't. nothing left. no streets, no paths, no ground, no grass, no stunned expressions, no last gasp, no breath of nostalgia. no whimper. nothing left.

    3.
    3.
    3.
    3.
    3.
    3.
    3.
    3.
    3.
    3.
    3.

Monday, 30 March 2009

  • Outdoor Lab

                    When I was but a wee pup, I was fortunate enough to take a week-long field trip to the snowy peak of Mt. Evans. Every sixth grade class in the district went on this miniature excursion into the wilderness, Outdoor Laboratory, where us Denver city kids were “acquainted with nature” and learned invaluable life skills, such as how to sing (badly) in a campfire chorus, and how to make (badly) a cheap imitation of a Native American dream catcher. The week was broken up into “courses” led by high school volunteers.

    ARCHERY

    This was one of the activities I was most looking forward to, and also the activity I was most certain would result in the death of classmate. I don’t recall the quality of my instruction, but suffice it to say that to this day I am still incapable of firing a bow. Later in life, however, I remembered a crucial bit of advice imparted by the high school girl with the red-banded braces and the wheat-and-white pigtails (“just focus on the target”)  just when I needed it the most: standing on a makeshift firing range in the countryside around Stanton, Nebraska with my girlfriend’s dad, who had just sold me a substantial amount of pot, firing a Kimber .45 at an array of old, broken television sets. I had never fired a pistol, and ol’ brace-face suddenly popped into my dazed thoughts as I was trying to look cool in front of both my girlfriend and her father, who I was trying to impress both as my dealer and as my potential father-in-law. It didn’t work out between me and her, much as it didn’t work out for me on the archery range (none of my shots even made the hay bales onto which the ubiquitous concentric circles were affixed) but I did learn to fire a pistol and up on Mt. Evans, behind the targets, fat Joe Widner sold me my first condom for two dollars. So I’d say I learned some lessons.

    CONSERVATION

    I didn’t know what the word “Conservation” even meant, and those bastards used that against me beautifully. When we arrived on scene for this activity, the high school camp counselor went through an obviously rehearsed speech about the importance of protecting nature and respecting the wilderness and preserving life and yadda yadda. Following this speech, we were instructed to haul some rough-cut lumber up a hill, building a path from the valley down by the cafeteria up and around the rise to the planetarium. Justin Hudnall, a neighbor kid who shot hoops with his tongue out like he thought he was Jordan driving the lane, was my partner for this particular activity, and as the sweat started rolling down into our eyes and he started complaining about the trek uphill with a ten-foot log suspended between us, I realized that “conservation” meant “chores” and resolved to expand my vocabulary.

    When we got back to civlization, our teacher had us build journals discussing all the activites we did. I adopted the device of rating all of the actvities on a scale from one to ten. I gave Conservation a 2, the lowest score of any activity.

    NATURE WALK

    If you’ve never heard a pika before, they are the most self-centered little mammals on the planet. A member of the marsupial family, I believe, The only word they utter is “ME!” at a very high pitch that alerts you to their presence, but richochets off of trees and boulders all around you so that you can’t actually locate them. Despite hearing thousands of them solipsistically proclaiming their existence as the sole object of importance, I only saw one, when we stopped for lunch halfway up the path. I tried to get it to come closer by tearing off pieces of the crust of my sandwich, but to no avail. It would eat the bits I tossed to it, but never come any closer. “ME!” it shouted before ducking under a boulder.

    They gave us a magnifying glass to use on the trip, presumably for examining insects and plants we encountered along the way. I used mine to channel the awesome power of the sun and burn my initials into the lichen on a large boulder overlooking a valley full of elk during a break in the clouds. While everyone else was transfixed by the grazing herd, I was trying to get my rays narrowed to a perfect point through the lens. “No, me,” I whispered as the smoke started to rise.

    FALCONRY

    No, I didn’t get the pleasure of feeling a hawk’s talons grip my spindly, sweaty little forearm through the hot kevlar and leather of a massive gauntlet. There was a falconer on permanenet staff who brought in an assortment of birds to teach us about. He did one particularly memorable exercize where he lined all of the students up in two parallel lines that ran the length of the lecture hall, holding hands, and flew a massive golden eagle right down the middle of us. He had us close our eyes. The force of the wind aerodynamically shearing off from the enormous wings and buffeting my face is one of the most impressive sensations I have ever experienced. I had dreams about this lecture for weeks afterwards.

     I don’t think I retained wingspans or flight speeds or dietary habits of any of these magnificent raptors for more than the two or three seconds after they came out of the falconer’s mouth, because I was staring intently at the eagles and kestrels and owls, trying to get them to look me in the eye. None of them would, of course. At the time, I thought they were cowards, but now I think they probably just had more important things to keep their attention.

Wednesday, 11 March 2009

  • Larry Donfrey of Larry Donfrey Realty stood near Roosten in just a swimsuit. Donfrey was a good guy. Good but flawed. Not that bright. Always tan. Yeow, what was his Boy of Summer? Surfer? Lifeguard? Partial Nudist? Was Donfrey attractive? Cute? Would the bidders consider Donfrey cuter than him, Al Roosten? Oh, how should he know? Did he like guys? Was he some kind of expert judge on the cuteness of guys? No, he didn’t like guys and never had. There had been a period in junior high, yes, when he had been somewhat worried that he might perhaps like guys, and had constantly lost in wrestling, because, instead of concentrating on his holds he was always mentally assessing whether his thing was hurting inside his cup because he was popping a mild pre-bone or because the tip was sticking out an airhole, and once he was almost sure he’d popped a mild pre-bone when he found his face pressed against Tom Reed’s hard abs, which smelled of coconut, but, after practice, obsessing about this in the woods, he realized that he sometimes popped a similar mild pre-bone when the cat sat on his groin in a beam of sun, which proved he didn’t have sexual feelings for Tom, since he knew for sure he didn’t have sexual feelings for the cat, since he’d never even heard that described as being possible. And from that day on, whenever he found himself wondering whether he liked guys he always remembered walking exultantly in the woods after the liberating realization that he was no more attracted to guys than to cats, just happily kicking the tops off mushrooms in a spirit of tremendous relief.

    --George Saunders, in The New Yorker

     
    read the rest here: http://www.newyorker.com/fiction/features/2009/02/02/090202fi_fiction_saunders
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  • i'm made of fried lard, flecks of gold paint, and black asphalt. i wrote this one thing this one time. i make some music and play poker with sasquatch on wednesday nights. i may or may not have peed my pants.

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