Weblog
Monday, 12 October 2009
-
a potentially incomplete list of movies i have seen this year, or maybe at the end of last year, i d
now that's a title. these are all the movies released this year which i stopped jerking off long enough to see.
as per last year, (T) means i saw it in theaters.
Defiance (T)
Paul Blart: Mall Cop
Killshot
Taken (T)
Fanboys
Coraline
The International
Street Fighter (T)
Watchmen (T)
Sunshine Cleaning (T)
I Love You Man (T)
Fast and Furious (T)
X-Men: Wolverine (T)
Star Trek (T)
The Brothers Bloom
Terminator Salvation
Up (T)
Away We Go (T)
The Hangover (T)
The Taking of Pelham 123 (T)
Moon (T)
Transformers 2 (T)
Funny People (T)
Inglorious Basterds (T)
Zombieland (T)
The Invention of Lying (T)
with just over two months of movie viewing left this year, now is the time to speak up regarding your favorites, least favorites, or otherwise so that i might see and enjoy these movies before the year's end. this has been a "catch up" year for me so far, and most of the movies i saw this year don't make this list because they were actually released last year. also, it seems like movies sucked this year. 'Basterds' and 'Sunshine Cleaning' are almost definitely the best two movies in that list, and neither one would have been top five a couple years ago.
Friday, 02 October 2009
-
Marathon Monks (repost to save an edit)
http-equiv="Content-Type" content="text/html; charset=utf-8"> name="ProgId" content="Word.Document"> name="Generator" content="Microsoft Word 12"> name="Originator" content="Microsoft Word 12">The problem with it all is that you get no choice in the matter. Things have begun before you even know it, and by the time you do gain self-awareness, you are too far along to do much of anything except just keep going. Or else. And who ever picks else? Nobody. That’s who. Me? I’m fifty-five, and I’ve just found all this out.
I’m divorced. Recently unemployed, and by force rather than whim. Two kids who I never see and who never remember my birthday. When people ask what I do, I tell them I’ve been recently immersed in the art of breathing, and they chuckle. They don’t know that was first said by some snooty french painter. I just read it somewhere.
There’s these monks, they call them Marathon Monks. They run this 25,000 mile course in these mountains called the Hiei mountains around Kyoto on a quest for ‘spiritual enlightenment’. That’s the equivalent of a full trip around the world. Took the last guy who did it seven years to complete it. Can you imagine that? Seven years of running?
The past seven years, I’ve started to do what I like to call Old Man Things. Things one does when one gets old and retired. I go on early morning jogs and late evening walks. I read the local newpaper and write letters to the editor which never get published. I do the crossword. I took up fixing things and making things. The gutters still leak though, and it took me seven tries to build a simple little newspaper stand in my basement workshop, a stand which I quickly filled with finished crossword puzzles. I tried to get into cooking, but never really managed to put my heart into it, so I’m not sure if that would have been my passion or not. Because that’s what all the Old Man Things are, really, are just things to fill time and space. Things to be not-void. Things to inhabit and occupy to the areas in one’s life, until one can find a true passion. A calling. A reason.
These monks. They wear only a simple, thin robe. A hat and some sandals, both made out of straw. They woke up, put that stuff on, and knew that it would be on their backs for the next seven years. The next 25,000 miles. Running on mountain trails, scrabbbling across scree, sun in their faces, then at their backs. Only forty-seven monks have ever survived the trek, which dates back to seven-hundred-something.
My friends have thinned as I’ve aged. That’s just the way of things. When we start in this life, we have four hands to help us up: two from our father, and two from our mother. And we are lucky to get those four hands. We have to find more as we go. We befriend the people scrabbling at our ankles when we pull them up to our level, and in turn they’ll drag us up the next rung. At some point, people stop and look down and realize that they are now at the place that they first knew as horizon when they came screaming from the wound between their mother’s legs. And they content themselves to stay where they have arrived, and thus they help fewer people climb. All their peers keep climbing, and the only people passing through their space then are those who started when they saw the dust from all those other heels rising into the wind.
Me? I think I’ve still been trying to climb. Lord knows I still have responsibilities and chores, so I must still serve some purpose to this great, grand machination called life. But what really tells me that I must still be climbing is the enlightenment. I haven’t achieved enlightenment, yet.
When I was a kid, and I saw people the age that I am now, I always felt a subconscious fear, a subtle twinge in my spine that sent a whispered but urgent message to my attentive brain, and that message was don’t ever grow so old. Because people the age that I am now seemed so decayed and eroded, back then, what with the lines and creases weathering their tanned faces and gnarled hands.
These monks, most of the time they can’t make it. Not everyone achieves enlightenment. Some are those people I told you about, my thinned out circle of friends, people who have reached a point close enough to the apex that they are content to spread their metaphoric picnic blanket and nap beneath the shadow of the peaks. But these monks, this Tendai sect, they often reach a point where they can run no further. I imagine they look out beyond themselves, at all those sandalprints in the road, and then they look ahead of themselves, where the sun is likely setting. Perhaps it has already fallen.
Tradition holds that a monk who cannot make it back to the temple must take his own life. If they cannot return to the temple, Enryakuji Hoshuin, they are to commit suicide by hanging or disembowelment.
In the morning, after I’ve had my morning wedge of grapefruit, and my one and a half cups of decaf, and my pills (always the pills) I stand in front of my closet, Hands running among suits I used to wear to work, T-shirts I used to wear underneath. Now, all my shoes except my slippers and my comfortable sneakers are in a mangled pile, Gucci corpses stacked high against the back wall of the walk-in next to my wife’s abandoned Tahari handbags. My watches, Tourneau and Cartier, gently tick away the days on a shelf. I never wear them anymore. I run my hands across silken ties, and I think about those monks, high on their mountain trails, their thoughts turned towards enlightenment. I think they dream about their homecoming, about their brothers draping blossoms at their feet and bowing to receive the blessings of a newly enlightened one.
Surrounded by my old silk and my old leather and the light from the naked bulb in my closet, I think about the monks who never make it, and I know what they think about, too.
Tuesday, 15 September 2009
-
indications that you are, in fact, a shitty poet
if you can't stop using the word 'maudlin'.
if you only write poems when you "feel something" or when you are "moved".
if you've decided you are never sharing your poems
with this fucking world and these fucking people
who will never ever EVER understand you
if you write your poems in a quirky little cloth-bound notebook
if you write them on the walls of bathroom stalls
trying to squeeze out the quarter pound
of chips and salsa you consumed last night
at the open mic where the guy you like with
half his head shaved plays his acoustic guitar
if you think poetry can change the world
or that it can't or that it matters
or that it has to be the topic of every conversation you've ever had
or if you can't name thirty poets, or even three,
who are alive and breathing and beating their
fists against their desks or chests trying in vain
to get you to actually read something, goddammit.
if you just break your
lines in random places or don't break your lines at all
or can't figure out your meter or your rhyme scheme
or only write sonnets or villanelles or haikus
or have never written anything but free verse
or blank verse or essays, letter, postcards.
if you shy away from words like 'shitty' because they aren't poetic.
if you ever use weather as a metaphor, or if you
think a metaphor is appropriate for war,
or if you think war is too touchy a subject
and poems should be about baking bread
and burying pets and riding bikes at the
dirt hills in the unfinished subdivision down the street.
if you write your poems in the bath or on the train
or in some other space that's just a placeholder for
your real life. if you stop fucking to write a poem
or stop talking to write a poem and make your
conversation partner endure an awkward silence
because you have to capture the stuff that makes
up lines like these, well, i think you know.
if you are in an MFA program or couldn't get accepted
into an MFA program or fucking hate MFA progams and
decided just to find your own workshops where you
sometimes just stare at the posters in the library lounge
and wonder who these people are and what they are talking about.
if you read your poems in bars, if you practice performing
your poems in front of the mirror or record them for later
viewing or write cryptic shit that can't even be read aloud
or if you are afraid to submit your poems to the places you like to read
or if you bother to submit your poetry to somewhere
as if it, or you, will ever be good enough.
if you wear a beret or a baseball cap or a smoking jacket or a trenchcoat
or a pair of galoshes your grandmother gave you even though
they're a size too big just to remember her every day, and how that
bitch just couldn't get anything right.
if you put your cigarette out at the end of the page
like you sign your name with cancer.
if you even mention coffee or even if you've ever drank it.
if you are an American, who will never even know what poetry means
or where it comes from or how much of each ingredient to add, or, god
help you, if you think there are actual ingredients, like a pinch
of this and a palmful of that, like words are coarse little grains and
mysterious leaves you can lump together with saucy syntax to
create something anyone else would want on their tongue.
if you are writing this poem, right now, and you keep on doing so
rather than just relaxing and going to bed to spoon your sick wife
and wrap your arm around her chest until the ribbing of her tank
wears its pattern into your skin and sinew, muscle, mind, and makes
the sort of impression that a poem, or a poet, can only dream of.
Sunday, 13 September 2009
-
what a girl wants
wants her to keep chasing the tv weatherman
wants her talk show
wants her money back
wants her facebook account
wants her style
wants her haircut
wants her to dump boyfriend
wants her swagger back
wants her shoulderpads back
wants her rim-shot
wants her hubby killed
wants her guy friends as groomsmen what-to-do
boys to hit my boys, marriage to disappear, billion dollar blanket shit back
son, space, own line of shoes
wants boyfriend to fight alcoholism
wants her million dollars sooner, not later
hair back, house back, look back, cheese sandwich
she wants her kids
she wants her ice cream
old face, image, outfits, dogs, her mom, smile, airline, son to get, husband to get, boytoy to get


